Mike Caro poker word is Flop


Note: Not at the old Poker1 site. A version of this entry was first published (2005) in Poker Player newspaper.


What can you say about the flop in hold ’em? There are few things in poker as suspenseful. The whole fate of your hand usually hinges on what those three cards will look like when the dealer turns them face up.

It’s fun watching flops. Indeed.

That’s why I’m asking you not to get mad at me when I ask you not to do it. You see, looking at the flop at the moment it hits the felt is the last thing you want to do if you expect to maximize your hold ’em profit. I’m going explain this concept the same way I did years ago in a lecture. Here it is…

Watch anything but the flop

Part of the fun of playing hold ’em or Omaha is anticipating the flop. In seven stud, you look at your starting hand and, after that, you only add one new card at a time. There’s some suspense, but it isn’t anything like the big suspense in hold ’em, where after you bet on your starting hand, you’ll see three cards all at once, and those cards can completely decide your fate.

With an event as important as the flop, no wonder almost everyone is eager to see it. But you shouldn’t be that eager. Here’s why…

Golden opportunity

Those three flop cards will still be there when you’re ready to look at them. But if you look at them as they’re turned up – which is what almost all of your opponents will be doing – you’re missing one of the golden opportunities for tells in poker.

My advice. Don’t watch the flop. Watch your opponents watch the flop. The key is that they don’t expect you to be watching them, so most of their reactions will be genuine, not acted. Remember, there are two main types of poker tells, those from actors and those that are involuntary.

It’s mostly the involuntary variety that we’re looking for when we watch our opponents watch the flop. The main tip is to watch as opponents briefly recognize that the flop helped them. They’ll often quickly glace at their chips in mental preparation to bet. This is instinctive.

However, when the flop doesn’t help them, your opponents are very likely to stare at it longer, usually at least a second or two longer. This, too, is instinctive. If it lasts more than two seconds, it crosses from being just instinctive hopefulness, as they try to find something that fits their hand, and becomes an act. At that point, they’re continuing to stare at the flop to try to convince you that it’s interesting to them.

A tell

In either case, whether they continue to stare hoping they’ll see something or they continue to stare as an act to make you think they’re interested in the flop, this is a tell. The long stare usually means that they didn’t make even a pair. Sure, once in a while, it means they flopped a straight and are trying to put the pieces together mentally – so beware of that rare happening. But, even then, they’ll often have to look back at the two cards in their hand to make sure the pieces of the straight fit, so if they don’t do that, the long stare probably means they missed.

To make it simple: Beware of a quick glance at the flop, then another quick glance at their chips. Often, this is followed by the player who just connected on the flop looking away as if uninterested – in an attempt to fool you. If they look long, don’t worry – your opponent probably missed everything. Again: quick glance, beware; long look, don’t worry.

Now, I’ve just told you that players don’t usually act to deceive you when they first look at the flop. That’s because they don’t think you’re watching them. They think you’re watching the flop, too, so immediate actions meant to deceive you aren’t necessary. But they do think you’ll hear them, so sometimes you can get vocal tells from actors. Listen for sighs or other utterances of sadness. These are meant to confuse you, but they really mean the opponent likes the flop and will probably bet or raise. Sad sounds are always dangerous.

Keep it secret

One addition tip. Don’t stare conspicuously at your opponents. Sooner or later, they’ll look up and realize you’re studying them on the flop. Keep your surveillance secret. I often point my head down and look up with my eyes, partially shielded by my fingers. This way, I seem to be looking toward the flop while I’m watching my opponents without them knowing.

Once again. Don’t watch the flop. Watch your opponents watch the flop. If they quickly glance away from the flop, briefly to their chips, then stare away from the approaching action, beware. That flop connected. If they continue to stare at the flop a little longer, you’re usually safe.

This is “The Mad Genius of Poker” Mike Caro and that’s my secret today. — MC

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Mike Caro

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Known as the “Mad Genius of Poker,” Mike Caro is generally regarded as today’s foremost authority of poker strategy, psychology, and statistics. He is founder of Mike Caro University of Poker, Gaming, and Life Strategy (MCU). See full biography at Poker1.com.

4 thoughts on “Mike Caro poker word is Flop”

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  1. When you’re not in the hand, when do you get around to looking at the flop? Knowing the cards is a big part of figuring out what they’re trying to do when they bet.

  2. Hi Mike,
    Just wanted to say thanks very much for all the great poker advice, I’m taking my friends money reasonably succesfully so far =). Hopefully as soon as I’m 18 it will all carry over to the local casino.
    Pete

  3. Mike – I play in an amature poker league to practice new techniques I might add to my game. There is no money involved but the players are very serious about their play. Last night I tried the suggestions you made in this article. What an “eye opener”, literally. I didn’t have to make an effort to hide what I was doing as they were all transfixed on the flop cards. I got my best information when I was not in the hand but that was good practice. Please don’t write about this again, I want this all to myself. Rich

    1. Funny line there. We’ll keep it secret for now, Rich — at least until the new Poker1 is fully functional and a “grand opening” is publicly announced.

      Straight Flushes,
      Mike Caro

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